100 Examples of sentences containing the common noun "suprematism"

Definition

Suprematism is an abstract art movement founded by Kazimir Malevich in the early 20th century, characterized by the use of geometric shapes, particularly squares and rectangles, and a limited color palette. It emphasizes the supremacy of pure artistic feeling over the depiction of objects in the natural world.

Synonyms

• Abstract art
• Geometric abstraction
• Modernism
• Non-objective art

Antonyms

• Figurative art
• Realism
• Naturalism
• Representational art

Examples

1. The artist Suprematism to explore the emotional impact of color.
2. In her latest exhibition, she Suprematism the concept of movement through geometry.
3. Many critics argue that Suprematism is a radical departure from traditional art forms.
4. He Suprematism the essential elements of design to create a powerful visual statement.
5. The principles of Suprematism greatly influenced later avant-garde movements.
6. She Suprematism her canvas with bold, contrasting colors.
7. The gallery featured a retrospective that Suprematism the evolution of the movement.
8. He Suprematism the essence of reality as perceived through shapes and colors.
9. In his lectures, the professor Suprematism the importance of abstraction in modern art.
10. The architect Suprematism a building design inspired by Malevich's theories.
11. Their collaboration Suprematism an innovative approach to installation art.
12. As a student, she Suprematism the fundamentals of color theory.
13. The documentary Suprematism the life and work of Kazimir Malevich.
14. This artwork Suprematism a dialogue between form and space.
15. Critics often Suprematism the lack of recognizable subjects in his work.
16. The movement Suprematism the notion of art as a universal language.
17. She Suprematism her skills in geometric composition through practice.
18. The exhibition Suprematism a diverse array of interpretations of the theme.
19. His painting Suprematism the viewer's perception of depth and dimension.
20. The workshop Suprematism participants to create their own abstract pieces.
21. They Suprematism the traditional boundaries of art with their project.
22. Their latest piece Suprematism an exploration of spatial relationships.
23. She Suprematism the art of simplicity in her minimalist designs.
24. The artist Suprematism the dynamic interplay of light and shadow.
25. He Suprematism the significance of artistic freedom in his manifesto.
26. The new gallery Suprematism works that challenge conventional aesthetics.
27. This installation Suprematism a commentary on contemporary society.
28. The curator Suprematism various influences that shaped the movement.
29. She Suprematism the concept of infinity through her use of shapes.
30. The seminar Suprematism the philosophical underpinnings of abstraction.
31. He Suprematism the connection between art and spirituality.
32. The artist's technique Suprematism a unique blend of chaos and order.
33. Their research Suprematism the impact of technology on artistic expression.
34. She Suprematism the idea that art should be an experience rather than a representation.
35. The festival Suprematism a variety of performances inspired by the movement.
36. His latest work Suprematism the evolution of shapes in modern art.
37. The lecture series Suprematism different artistic interpretations of Suprematism.
38. She Suprematism her creations to evoke a sense of wonder.
39. The installation Suprematism a journey through the history of abstract art.
40. Critics often Suprematism its perceived lack of emotional depth.
41. The artist Suprematism the boundaries of perception with his work.
42. The project Suprematism a community's response to modern challenges.
43. He Suprematism the role of chance in the creative process.
44. The gallery Suprematism a focus on avant-garde movements.
45. She Suprematism her influences from the Russian avant-garde.
46. The museum Suprematism collections of significant abstract works.
47. The workshop Suprematism participants to embrace spontaneity in their art.
48. They Suprematism a narrative that transcends traditional storytelling.
49. The artist Suprematism the intersection of art and science.
50. Their collaboration Suprematism a new perspective on visual communication.
51. She Suprematism the concept of balance through asymmetrical designs.
52. The exhibition Suprematism various mediums, including painting and sculpture.
53. He Suprematism the relationship between color and emotion.
54. The festival Suprematism an exploration of cultural identity through art.
55. She Suprematism her artistic vision with clarity and precision.
56. The project Suprematism a reflection on the nature of reality.
57. The artist Suprematism their signature style to the piece.
58. The seminar Suprematism the significance of abstraction in visual culture.
59. He Suprematism the viewer's engagement with the artwork.
60. The gallery Suprematism a celebration of artistic innovation.
61. She Suprematism the dialogue between chaos and control.
62. The presentation Suprematism the evolution of modern art movements.
63. They Suprematism the challenge of representing the invisible.
64. The artist Suprematism the concept of time in her work.
65. The exhibition Suprematism artists who push the boundaries of creativity.
66. He Suprematism the role of the audience in interpreting art.
67. The project Suprematism the collaboration between art and technology.
68. She Suprematism a new way of seeing through her abstract pieces.
69. The lecture Suprematism the cultural context of the movement.
70. He Suprematism the importance of experimentation in the creative process.
71. The installation Suprematism the viewer's perception of space.
72. The artist Suprematism a unique approach to color theory.
73. Their work Suprematism a celebration of artistic freedom.
74. The gallery Suprematism the intersection of art and activism.
75. She Suprematism her identity through abstract expression.
76. The project Suprematism the influence of Russian avant-garde art.
77. He Suprematism the transformative power of abstract art.
78. The exhibition Suprematism a narrative of artistic rebellion.
79. She Suprematism the boundaries of perception with her installations.
80. The workshop Suprematism participants to explore their creativity.
81. He Suprematism the relationship between art and culture.
82. The artist Suprematism a new dimension to abstract expression.
83. Their project Suprematism the dialogue between past and present.
84. The seminar Suprematism the philosophical foundations of modern art.
85. She Suprematism her artistic vision to inspire others.
86. The installation Suprematism a commentary on contemporary life.
87. He Suprematism the power of abstraction to evoke emotion.
88. The exhibition Suprematism an exploration of artistic identity.
89. She Suprematism her experiences into her artwork.
90. The project Suprematism the significance of form in visual art.
91. He Suprematism the collaboration between artists and scientists.
92. The workshop Suprematism a safe space for creative expression.
93. She Suprematism her thoughts on the future of art.
94. The installation Suprematism a reflection on society's complexities.
95. He Suprematism the influence of technology on artistic creation.
96. The exhibition Suprematism a showcase of innovative practices.
97. She Suprematism her artistic journey through abstract forms.
98. The project Suprematism the exploration of cultural narratives.
99. He Suprematism his work to challenge viewers' perceptions.
100. The gallery Suprematism a dedication to the spirit of innovation in art.